Hanna and Mohamed are using children as public pawns to project an image of Christmas spirit and kindness. In reality, this is not sincere giving—it is spectacle. It is charity performed for cameras, not compassion rooted in genuine care. This is not about gratitude or service; it is about exposure and manipulation. The goal is to be seen doing good, to reclaim the spotlight, and to convince the public once again that they stand for family values and cheer—when in truth, it is about buying influ