The Chicago House Run debuts with six on-route DJ stations, Smut take big swings on the first album they wrote as Chicagoans, ...

In the project 60 wrd/min art critic, writer Lori Waxman explores how art writing can serve an expanded field of ...

Young Fathers’ score for 28 Years Later—the legacy sequel to 28 Days Later (2002) and 28 Weeks Later (2007)—is phenomenal.

We cover the lives mainstream media ignores, so no one feels unseen. Less than 5 percent of our readers donate, yet we have always been free. Without those donors, we risk losing our independence ...

Americans only just woke up to the rocket car in the last decade. The sleek racing cars of Formula One hit 220 mph on straights, all while drivers battle the other 19 cars on the track. It’s the ...

Agnes is trying to be OK. In the first chapter of Eva Victor’s directorial debut, Sorry, Baby, an English professor living alone in a rural town, Agnes (Victor ...

Noah Diaz's You Will Get Sick at Steppenwolf leans a little heavy on the whimsical metaphors, but the performances are ...

On their debut album as Juanita & Juan, Jungle Cruise, Bag and Powers sound so charming you’ll wish you were aboard their cruise ship.

Chicago quartet Third Coast Percussion continue to celebrate their 20th year with this kaleidoscopic all-day event at Epiphany Center for the Arts.

Meg Remy is one of the most exciting producers in the indie-rock ecosystem, and nothing showcases the breadth of her talent as effectively as the solo pop project U.S. Girls.

New Constellations make shimmering dance pop influenced by 80s synth bands and R&B, and they sometimes shake up their approachable, easygoing vibes with moodier, more experimental sounds.

In new album Defiant Life, Smith plays patient melodies that course inexorably through the open, rolling terrain of Iyer’s subdued, lyrical piano and subtle electronics.