Cian Ducrot cut his teeth on a blend of intimate singer-songwriter balladry and lowkey alt-pop, most of his debut album ...

Would Jamie Lloyd's mind-bending revival of Evita win through twice in four weeks, I wondered to myself, paraphrasing a Tim ...

To get Lars Eidinger "right", one must take him cloven hoof and all. He's intense, unconventional, and driven – but by what, ...

As the nation basks in the reflected glory of The Lionesses' Euro25 victory, it could hardly be more timely for the Southwark ...

Life-changing? That's how the Pärnu Music Festival felt on my first visit in 2015, alongside the discovery of Estonia as a ...

There’s a deal to be made when taking your seat for The Winter’s Tale. It’s one the title alone would have signalled to the ...

What a delight it is to see the director, the star, even the marketing manager these days FFS, get out of the way and let a ...

The Buxton International Festival this year was lavish in its smaller-scale productions in addition to Ambroise Thomas’s ...

It’s not foregrounded, but as Strangest Feeling beds in after repeated listens it becomes clear that one of its core traits is The Pixies-originated quiet-loud, soft-hard dynamic which oozed into ...

Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production ...

A new Giselle? Not quite: the production that Japan’s national company has brought over for its first British visit isn’t a ...

This Prom began in sombre and melancholic shades of grey. Then, as her encore, the superb Georgian pianist Mariam Batsashvili launched into Liszt’s Paganini étude, “La Campanella”, and bells of ...