Who belongs on reggae and dancehall's metaphorical mountaintop? Narrowing the genres' influence to just a handful of names ...

1980sThe 1980s signaled the birth of an additional musical era, and the slow demise of another. With the help of producer King Jammy and musicians Steely and Clevy, Dub made way for a faster, more ...

That fall at Tipitina’s, they opened for another New Wave reggae band, Talking Dreads. (Aiges had originally considered that same name for his band, before settling on a mash-up of a Jamaican pun and ...

In this essay, writer AJ Morris explores the cultural history of Jamaican music, from reggae to dancehall, and examines how the medium works in tandem with Jamaican film as acts of protest and ...

It’s Sept. 25, 1985 at the Palace Theatre in downtown New Haven, Conn., and the buoyant staccato guitar rhythm, breezy sax and distinctly ’80s synth-pop has the crowd footloose. UB40, which has since ...

Considered a veteran of the local dub and reggae scene, DJ Robert Rankin’ has been educating crowds about tunes, riddims, and basslines for over 30 years, whether it’s on the airwaves of various radio ...

In the cultural spaces from which dancehall music gets its name, women are usually the center of attention. The Jamaican genre’s digital rhythms are calibrated to inspire female bodies to wine, as the ...

It’s Sept. 25, 1985 at the Palace Theatre in downtown New Haven, Connecticut, and the buoyant staccato guitar rhythm, breezy sax and distinctly ’80s synth-pop has the crowd footloose. UB40, which has ...