In a 1913 preview of the Autumn Salon in Paris, where Orphism was being touted as the hot thing in painting, the New York Times wrote: “Ordinary persons may take a long time to accept Orpheism [sic] ...

Robert Delaunay, "Circular Forms (Formes circulaires)" (1930), oil on canvas, 50 3/4 x 76 3/4 inches (128.9 x 194.9 cm) (all images courtesy the Solomon R. Guggenheim Museum) The Guggenheim attempts ...

“Harmony & Dissonance” at the Guggenheim Museum is a mood-lifting, masterpiece-studded show that offers an in-depth look at Orphism, which is famous for being unknown. Frantisek Kupka, whose high-key ...

Open now at the Guggenheim in New York, “Harmony and Dissonance: Orphism in Paris, 1910–1930” sees over 90 artworks from this fascinating historical moment, displayed in the museum’s iconic rotunda.

Harmony and Dissonance: Orphism in Paris, 1910–1930, Guggenheim Museum in New York City, November 8, 2024–March 9, 2025 The exhibition Harmony and Dissonance: Orphism in Paris 1910–1930 at the ...

In the pantheon of the early 20th-century avant-garde, Orphism-the subject of a sweeping but diffuse survey at the Guggenheim Museum-is rare among isms in that it remains relatively understudied and ...

“Harmony and Dissonance: Orphism in Paris, 1910-1930,” the Solomon R. Guggenheim Museum’s exhilarating immersion in the spark and ensuing conflagration of modern European abstraction, transforms Frank ...

The French poet and art critic Wilhelm Apolinary Kostrowicki had a knack for names, starting with his own nom de plume, Guillaume Apollinaire. Born in Rome to Polish parents, he arrived in Paris in ...

“Orphism” is what, exactly? According to Guillaume Apollinaire, who coined the term, It is the art of painting new structures out of elements which have not been borrowed from the visual sphere, but ...

Robert Delaunay, Circular Forms (Formes circulaires), 1930; Oil on canvas, 50 3/4 × 76 3/4 in. (128.9 × 194.9 cm). Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection ...