Mozart’s famous opera is a whirlwind comedy of betrothal, betrayal and deliciously bad behaviour. Set on a single day, it packs in a dazzling procession of madcap comic schemes and setbacks, all of ...

First seen 18 years ago, David McVicar's Royal Opera staging of "The Marriage of Figaro" is back for its 11th revival. The show "still gets plenty of laughs", said Richard Morrison in The Times, which ...

Director James Gray poses for a portrait in the Dorothy Chandler Pavilion ahead of his directing of the L.A. Opera's "The Marriage of Figaro" on Thursday, Feb. 2, 2023 in Los Angeles, CA. (Jason ...

NEW YORK – Anthony Roth Costanzo gives a truly inside look at one of Mozart’s most loved operas. Singing seven different roles in a madcap presentation of “Le Nozze di Figaro (The Marriage of Figaro)” ...

Five College Opera presents a pop-up concert in Sweeney Concert Hall with highlights from Mozart’s Marriage of Figaro featuring the covers singing arias and ensembles from the 5C production. Free and ...

Anthony Roth Costanzo’s one-man(ish) Marriage of Figaro is a mixed bag. Photo by Nina Westervelt Here’s the pitch: countertenor Anthony Roth Costanzo will perform Marriage of Figaro at Little Island.

The recent production of Wolfgang Mozart’s “The Marriage of Figaro” had many unusual aspects to it, but the strength of Pierre Beaumarchais’ original play, Lorenzo da Ponte’s skillful adaptation, as ...

If characters in Syracuse Opera’s production of Mozart’s “The Marriage of Figaro” seem familiar it’s because they have first appeared in Rossini’s “The Barber of Seville.” Both operas are adapted from ...

Mozart’s famous opera is a whirlwind comedy of betrothal, betrayal and deliciously bad behaviour. Set on a single day, it packs in a dazzling procession of madcap comic schemes and setbacks, all of ...

This is an archived article and the information in the article may be outdated. Please look at the time stamp on the story to see when it was last updated. NEW YORK (AP) — Anthony Roth Costanzo gives ...

Martin Lloyd-Evans’ staging of The Marriage of Figaro in Amanda Holden’s racy translation for Mid-Wales Opera is a clever affair. There’s no chorus; we have the traditional doubling of the tenor roles ...