Add Yahoo as a preferred source to see more of our stories on Google. BOSTON — Édouard Manet (1832-1883), the urbane, elusive, irony-loving Parisian who flushed away exhausted pictorial conventions ...

A new exhibit at the Cleveland Museum of Art pairs two friends’ paintings side by side. In that proximity, viewers can appreciate the similarities and differences between work by Édouard Manet and ...

Eva Gonzalès was not only lucky enough to be born in Paris in the 1840s, at a time when the city’s art world was experiencing a profound artistic revolution, but to be born to parents who allowed her ...

Édouard Manet was not immune to bad press. In 1864, a year on from scandalizing Parisian mores with his vision of bourgeoisie vice in Déjeuner sur l’Herbe (1863), his follow-up Salon entry was being ...

We encounter those etchings and Manet’s copperplate in “Manet/Degas” at the Metropolitan Museum of Art, a stunning, provocative exhibition, jointly organized by the Met and the Musées d’Orsay and the ...

Add Yahoo as a preferred source to see more of our stories on Google. It sounds as if no arm-twisting was needed when it came to the collaboration that led to the exhibition “Manet & Morisot,” which ...

Édouard Manet was infatuated with all things Spanish — and especially Spain’s greatest painter Art is inseparable from society, but the two things don’t seem to progress in lockstep. The relationship ...

With portraits the artist made of the people closest to him, the exhibition tunes into the details of his private life In 1863, Édouard Manet married Suzanne Leenhoff, his well-to-do family’s piano ...

“Olympia” (1863) will be shown in the US for the first time as part of a Met exhibition focused on the joint careers of Édouard Manet and Edgar Degas. The gears are turning at the Metropolitan Museum ...

NEW YORK — Rivalry is a kind of haunting. It takes place over time. The longer it goes on, the more the initial question — “How much did they hate each other?” — is transformed, under a corkscrewing ...

It sounds as if no arm-twisting was needed when it came to the collaboration that led to the exhibition “Manet & Morisot,” which explores the work of and connective tissue between late-1800s French ...